Ed Ruscha- Dead End
ARTIST:
Ed Ruscha
Rusty Signs - Dead End
Date:
2014
Medium: Embossing on paper
Dimensions: 24 × 24 in
61
× 61 cm
References: http://www.artnet.com/artists/ed-ruscha/
Biography:
Despite being credited with a Pop
sensibility, Ed Ruscha defies categorization with his diverse output of
photographic books and tongue-in-cheek photo-collages, paintings, and drawings.
Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los
Angeles, which he often conveys by placing glib words and phrases from
colloquial and consumerist usage atop photographic images or fields of color.
Known for painting and drawing with unusual materials such as gunpowder, blood,
and Pepto Bismol, Ruscha draws attention to the deterioration of language and
the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I
Don’t Want No Retro Spective. “You see this badly done on purpose, but the
badly-done-on-purpose thing was done so well that it just becomes, let’s say,
profound,” he once said. Equally renowned were his photographic books, in which
he transferred the deadpan Pop style into series of images of
LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his
most famous work.
https://www.artsy.net/artist/ed-ruscha
Statement:
Ed Ruscha makes communication interesting. He’s a story teller who
defies definition, giving words a life and language all their own. They are
abstract forms that have bubbled, bled, crumpled and smoothed out again over
the years. They’ve smelled like chocolate, been stained in blood and drawn in
gunpowder. Ruscha is pop, conceptual, surreal and minimal all stuffed into one
fat sandwich of artistic “isms.” His work is consciously ambiguous with no list
of priorities or importance. There are no hidden messages and no social,
economic or political statements to be found. Instead, Ruscha’s incredible body
of work is what it is… a reflection of his personality: smart, witty and
unique. The man and the art refuse to stand still. They have a constant buzz
and possess the power to make art speak fun.
(http://eklektx.com/ed-ruscha/)
My Connection:
'Dead End' is an example of his exploration of words themselves. Ruscha uses painting and art to bring the words to life rather than the other way around.
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