Jules Cheret- Carnaval 1892



Jules Cheret

THÉÂTRE DE L’OPÉRA – CARNAVAL

Date: 1892, 1892

Medium: Original lithograph printed in colors on wove poster paper.

Dimensions: 48 3/4 × 34 3/8 in

123.8 × 87.3 cm




Biography:

The father of modern poster art and a critical figure in the development of the French Belle Époque style, Jules Chéret was the first artist to work with color lithography. Finding little success in France due in part to inadequate printing technology, Chéret moved to London and began designing perfume packaging for Rimmel during the 1860s. Rimmel became Chéret’s patron and financed his commercial lithography studio in Paris. Although Chéret had a talent for working with oil paint and pastels, he remains best known for his lithographs, which served as the exemplar of poster design and color theory during the late 19th century.

(https://www.artsy.net/artist/jules-cheret)


Statement:

When Roger Marx, one of the leading art critics at the end of the nineteenth century, commented on the work of Jules Chéret he did so with full confidence that Chéret was the artist who had modernized posters, recognizing an artistic medium capable of reaching and educating the general public.[1] The importance of Chéret's use of color posters, as the extensive monographic exhibition at the Musée des Arts Décoratifs in Paris makes amply clear, demonstrates how artistic events—spectacles "en tout genre," new books and magazines, new products in commerce and industry—would reach an ever expanding public




My Connection:

A famous French printmaker. Praised for his lithographic posters. His work includes ads and posters for theatres, caberets, and music halls. His theatrical style was influenced by the Rococo movement. And in turn his style influenced artists such as Charles Gesmar and Henri de Toulouse-Lautrec.

Carnival 1892 , these advertisements were some of the precursors for the pop art movement. This one features one  of his infamous “cherettes” his illustrations of beautiful, lively, independent women which was a departure from the way women had previously been depicted.




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